Company | Trainees

Company

Leigh Anne Albrechta Originally from Fremont, Ohio, Leigh Anne trained at Fremont Ballet under the direction of Ernst Hillenbrand and at Ballet Theatre of Toledo with Nigel Burgoine and Anne Marie Getz. She attended The Nutmeg Conservatory for the Arts as a scholarship recipient. She danced with North Carolina Dance Theatre for two years as a trainee and apprentice where she especially enjoyed performing in Balanchine's The Four Temperaments and Dwight Rhoden’s world premiere of Othello. This is Leigh Anne’s fourth season with the Louisville Ballet. Since joining the company she has performed roles including Spring Fairy in Cinderella, a friend in Coppelia, Simpson’s Swan Lake, Amy Seiwert’s Smiling Underneath, Adam Houglands Rite of Spring and Unyielding Radiance, Val Caniparoli’s Seasons, Lambarena, The Brown-Forman Nutcracker and Balanchine’s Theme and Variations. Leigh Anne is excited to be teaching Yoga Flow for the Louisville Ballet School and Adult Division.

Natalia Ashikhmina Born in Bratsk, Russia, Natalia graduated from the world-renowned Novosibirsk Ballet Academy studying under Tatiana Sulimova and Tatiana Kapustina. She accepted Vyacheslav Gordeyev's invitation and became the youngest prima ballerina of the Russian National Ballet in Moscow where she worked with Andrey Kudeline and partnered with Yuri Burlaka. Five years later, Eldar Aliev offered Natalia a principal position with Ballet Internationale in Indianapolis where she worked with legends Irina Kolpakova and Vladilen Simeonov. Natalia joined the Louisville Ballet as a principal dancer in 2006. Here, she has the privilege of working with Bruce Simpson, Helen Starr, Alun Jones, Harald Uwe Kern and a multitude of wonderful choreographers and stagers. Her repertoire includes Princess Aurora in (The Sleeping Beauty), Giselle (Giselle), Nikiya (La Bayadere), Belle (Beauty and the Beast), Zabeida (Scheherazade), The Sylph (La Sylphide), Kitri (Don Quixote), Daisy (Andre Prokovsky’s The Great Gatsby), The Dying Swan, Helen Picket’s Etisian, Val Caniparoli’s Vivacé and over 100 performances as Odette/Odile (Swan Lake). Natalia won the Audience Award at the 1998 International Ballet Competition Arabesque, a gold medal at the 1999 Competition of Professional Ballet Academies in Russia, performed at the 2004 Gala des Etoiles in Montreal and holds a Master of Fine Arts Degree from the Novosibirsk Choreographic College. She and her family now call Louisville home.

Caroline Betancourt Originally from Miami, FL, Caroline began her training with the Thomas Armour Youth Ballet under the direction of Mariana Alvarez-Brake and Ruth Wiesen. In June 2010, she received her BFA in ballet from the University of Cincinnati’s College-Conservatory of Music. She was honored to participate in the 2006 VIII USA International Ballet Competition, and then in 2009, the Tenth New York International Ballet Competition and in 2011, the First Boston International Ballet Competition. Caroline is the first place winner of the American Ballet Competition in 2004 and in 2007. At Louisville Ballet she has been recently featured performing Le Corsaire, Marie in The Brown-Forman Nutcracker, and one of the three soloists in Val Caniparoli’s Lambarena. Additionally, since joining the Company her repertoire has included roles from Giselle, Coppelia, La Bayadere, Three Musketeers, Cinderella, Raymonda, Adam Hougland’s Rite of Spring and Balanchine’s Theme and Variations. This is Caroline’s third season with the Louisville Ballet.

Rachel Cahayla-Wynne Originally from Ringwood, NJ, Rachel returns for her seventh season with Louisville Ballet. She began her training with Irine Fokine at the Irine Fokine School of Ballet and continued on to study at the University of Cincinnati’s College-Conservatory of Music. While dancing with Louisville Ballet, Rachel completed her BFA and graduated with honors. Her repertoire includes dancing lead roles in ballets such as Paquita, Balanchine's Serenade, La Bayadere and The Nutcracker. Last season Rachel was seen performing the Pas de Deux from Le Corsaire, Sugar Plum Fairy in The Brown-Forman Nutcracker, both the Pas de Trois and Female Variation from Raymonda, as well as in Val Caniparoli's Lambarena. Other Louisville Ballet highlights also include performing one of the Three Shades in La Bayadere, a Friend in Coppelia, one of the four Cygnets in Swan Lake and Adam Hougland's Rite of Spring.

Helen Daigle A native of Baton Rouge, Louisiana, Helen is pleased to return for her fourteenth season with the Louisville Ballet. She received her training at the Decatur School of Ballet, the Dancer’s Workshop, The Joffrey Ballet School and The School of American Ballet. She began performing with the Baton Rouge Ballet Theatre and has danced professionally with Feld Ballets/New York, Ballet Hispanico and the Miami City Ballet. Helen has performed featured roles in a range of works including Lark Ascending, In the Glow of the Night, Who Cares?, Serenade, Lamberena, Scheherazade, Company B, Etesian and Beyond. Helen has performed principal roles in such full length ballets as The Magic Flute, Don Quixote, Giselle, Nutcracker, Swan Lake and The Sleeping Beauty. She has originated roles in Adam Hougland’s Cold Virtues, Made to Be Broken, Fragile Stasis, Devolve and Rite of Spring. Helen has also had the pleasure of staging Cold Virtues and Rite of Spring for the Louisville Ballet. In 2009, with the launch of the new Brown-Forman Nutcracker, Helen took on the role of the Rehearsal Assistant for The Nutcracker children’s cast and has enjoyed taking care of the children every year since.

Erica De La O Born in Los Angeles, California, Erica De La O trained at Le Studio under the direction of Cynthia Young, Phillip and Charles Fuller and continued studies with Stephan Wenta, Alicia Head and Daylena Ruiz. Erica danced with Columbia City Ballet before joining the Louisville Ballet as a First Soloist in 2003. She has performed the lead roles in works such as Simpson’s Giselle and Swan Lake; Jones’s Cinderella, Coppelia and Nutcracker; Balanchine’s Theme and Variations; Prokovsky’s The Three Musketeers; Caniparoli’s The Nutcracker and Four Seasons; and Heather Maloy’s Vampire. De La O’s repertory includes Hougland’s Cold Virtues, Fragile Stasis, Fleeflow, and Rite of Spring; Gamonet’s Nous Sommes; Stevenson’s Four Last Songs; McDowney‘s Group Therapy and Por El Fuego; Ashton’s Les Patineus; Cipolla’s Breathless; Picket’s Etesian; Choo-San Goh‘s In the Glow of Night; Taylor's Company B among others. De La O was awarded 2nd place at the Music Center Spotlight Awards of Los Angeles and is a recipient of the 1999 John Orr Award from the Pasadena Arts Council. She was a finalist at the New York International Ballet Competition in 2003 and was invited to perform in the NYIBC Gala Performance at Lincoln Center receiving a favorable review from The New York Times.

Amanda Diehl A native of Spokane, WA, Amanda graduated from North Carolina School of the Arts and joined the Louisville Ballet in 2000. Her repertoire includes In the Glow of the Night and Anna Karenina; several works by Val Caniparoli including Going for Baroque, Vivacé, Four Seasons and The Brown-Forman Nutcracker; Adam Hougland’s Rite of Spring and Cold Virtues; and Balanchine’s Rubies, Agon, Who Cares? and Serenade. She has also performed a variety of roles in several full length ballets such as Swan Lake, Sleeping Beauty, Don Quixote, Coppelia and Romeo & Juliet. A few of her favorites have been Mark Godden’s The Magic Flute, Twyla Tharp’s Golden Section and Nine Sinatra Songs, Paul Taylor’s Company B and Constance in The Three Musketeers. She was most recently seen in Theme and Variations, Lambarena and as Summer Fairy in Cinderella. Amanda has worked with a number of choreographers including Amy Seiwert, Helen Pickett, Graham Lustig and Adam Hougland. This summer, she had the pleasure of working with choreographers Darrell Grand Moultrie and Melissa Barak at the National Choreographers Initiative in Irvine, CA.

Evgeni Dokoukine Born in Moscow, Evgeni Dokoukine began his classical ballet training at age nine with teacher Yuri Vrazhkin. In 2003, he attended Canada’s National Ballet School and then in 2005, the School of Canadian Ballet Theatre under Artistic Director Nadia Veselova-Tencer. Evgeni has performed with the National Ballet of Canada, Canadian Ballet Theatre, Ballet Espressivo and the Israel National Ballet. His classical repertoire includes Prince Seigfried and Pas de Trois in Swan Lake, Prince Desire in The Sleeping Beauty, Pas de Trois and Arabian Doll in The Nutcracker, Solor in La Bayadere and Basil in Don Quixote. Evgeni has also performed works by various contemporary choreographers including: Val Caniparoli, Adam Hougland and Vladimir Ivanov. In 2009, Evgeni was the silver medal winner in the Pas de Deux category at the Youth American Grand Prix Finals in New York. The same year he also performed in the Young Medalists Ballet Gala at the Miami International Ballet Festival. His featured repertory at Louisville Ballet includes: Ali in Le Corsaire, Cavalier in The Brown-Forman Nutcracker, and the role of D.J. in Val Caniparoli’s Lambarena. This is Evgeni’s third season with the Louisville Ballet.

Eduard Forehand Eduard Forehand began training at the age of nine with Thomas Armour in Miami, FL. Upon graduation, he continued his studies at Nutmeg Conservatory before accepting his first contract with The Richmond Ballet. While there, Eduard enjoyed performing in Nuevo Tango and a lead role in Gershwin by George. After leaving Richmond, he ventured to Charleston Ballet Theatre where he performed in Jill Bahr’s Rite of Spring and Seven Deadly Sins among others. Following Charleston, Eduard joined Augusta Ballet then on to Dayton Ballet where he performed leading roles in Carmina Burana, Nutcracker, Romeo and Juliet and Thresholds II, Bacchus in Val Caniparoli's The Seasons as well as the role of Solar from La Baydere This is Eduard’s fourth season with the Louisville Ballet.

Justin Michael Hogan From nearby Cincinnati, Ohio, Justin received his initial training at the School for Creative and Performing Arts. SCPA afforded him the unique opportunity to advance his artistry at a young age by dancing roles such as the White Rabbit in Alice in Wonderland and the title role in Dracula. Justin continued his training at Mercyhurst University, under Tauna Hunter, where he received his BA in Dance Performance and Choreography. Being coached by the likes of Ms. Vivi Flindt, for August Bournonville’s Konservatoriet, and Mr. Bruce Marks, for the role of Albrecht in Giselle, was instrumental to his advancement as a dancer during that time. Justin’s first professional contract was with North Carolina Dance Theatre II, under Jean-Pierre Bonnefoux and Patricia McBride. While with NCDT, his repertoire expanded greatly, dancing ballets by 20th Century Masters such as George Balanchine, Alvin Ailey and Twyla Tharp. Following his time there, Justin joined St. Louis Ballet. Performing in Balanchine’s Allegro Brilliante, Christopher D’Amboise’s Tribute, and dancing the role of Benvolio in Romeo and Juliet are some highlights from his years there. This is Justin’s first season with Louisville Ballet.

Annie Honebrink A native of Fort Mitchell, Kentucky, Annie trained with the Cincinnati Ballet Otto M. Budig Academy under the direction of Valentine Liberatore, Mishic Marie Corn, Devon Carney, and Victoria Morgan. During her junior and senior years of high school Annie performed corps de ballet roles with the Cincinnati Ballet company and was named a CBII her senior year. Annie is excited to now begin her third season with the Louisville Ballet. Since joining the company, some of Annie’s highlighted roles and ballets include Marie in Val Caniparoli’s The Brown-Forman Nutcracker, Amanda Diehl’s pas de deux Saudade Amore, the Grandmother in Mikelle Bruzina’s Sansei, the First Shade in Kingdom of the Shades from La Bayadere, Adam Hougland’s Rite of Spring, Val Caniparoli’s The Seasons, Giselle, and Alun Jones and Helen Starr’s Coppelia.

Kazuki Ichihashi Born in Nagoya City, Japan, Kazuki studied ballet at Reiko Matsuoka Ballet School, San Francisco Ballet School, Miami City Ballet School, and has danced with Orlando Ballet. His repertoire includes Golden Idol in La Bayadère, Mercutio and Benvolio in Romeo and Juliet, Russian, Spanish, and Chinese diverts among other roles in The Nutcracker, Don Quixote, Swan Lake, Who Cares?, Borelo, and many other contemporary roles. Kazuki received a gold medal in the Kobe All Japan Competition, a gold medal in the Nagoya All Japan Competition and a bronze medal in the Saitama All Japan Competition. This is Kazuki’s second season with Louisville Ballet.

Mark Krieger Mark, a Virginia native, studied dance under Jefferson Baum at Grand Valley State University in Michigan. In 2004, Mark joined Ballet Tucson where he danced for two seasons before joining Columbia City Ballet. He spent the last five years with the Columbia City Ballet as a Principal Dancer. This is Mark's first season with Louisville Ballet.

Christy Corbitt Miller Originally from Atlanta, Christy returns for her ninth season with the Louisville Ballet. Some favorite classical roles with the Company include principal roles in Giselle, La Bayadere and Les Sylphides. She has also enjoyed dancing a wide variety of more contemporary and neo-classical work including ballets by Helen Pickett, Val Caniparoli, Paul Taylor, Adam Hougland, Ben Stevenson, OBE. and George Balanchine. Prior to joining the Louisville Ballet, she danced with the Atlanta Ballet, Ballet Memphis and the Texas Ballet Theater where she performed title roles in Giselle and Ben Stevenson's Cinderella, as well as the role of Graziella in a collaborative production of West Side Story with Fort Worth's renowned Casa Manana theater company. Additionally, Christy teaches for the Louisville Ballet School in the Intermediate Division.

Robert Morrow Rob began his ballet training in New Orleans, Louisiana with Delta Festival Ballet and went on to train at renowned schools such as Virginia School of the Arts and The Joffrey Ballet School of NYC. Professionally, he’s danced for Nashville Ballet, Delta Festival Ballet, and Dayton Ballet. Some of his favorite roles with the Louisville Ballet include Hail in Val Caniparoli's The Seasons, Robert North's Troy Game, Adam Hougland's Rite of Spring, and George Balanchine's Theme and Variations. Rob would like to thank his family and friends for their love and support. This is Rob’s third season with the Louisville Ballet.

Ben Needham-Wood Hailing from Massachusetts, Ben has been a Company Artist with the Louisville Ballet since 2008. While his dance education focused primarily on classical ballet technique, Ben has studied a variety of dance forms including modern, jazz, tap, hip hop, character dance and acrobatics. Since joining the Company, he has appeared in such classical ballets as Swan Lake, Don Quixote, Coppelia, Giselle and Cinderella, and has performed principal and featured roles in contemporary works by Julia Adam, Val Caniparoli, Adam Hougland, Matthew Neenan, Gina Patterson, Helen Pickett and Amy Seiwert. As a choreographer, Ben has created works for the Louisville Ballet, the Louisville Ballet School Youth Ensemble, Appalachian Ballet Company, Fort Wayne Ballet and the Impact Dance Project. In June 2009, Ben competed in the 10th New York International Ballet Competition where he was invited to perform Paul Taylor’s Aureole pas de deux in the Gala performance at Lincoln Center, receiving a favorable review from The New York Times. Ben also competed in the first ever Boston International Ballet Competition. Ben graduated Magna Cum Laude from the University of Cincinnati’s College-Conservatory of Music in June 2010, earning his BFA in Ballet.

Brandon Ragland Brandon is in his third season with the Louisville Ballet. Originally from Birmingham, Alabama, Brandon received his early training from Jacqueline Crenshaw Lockhart and continued his dance training at the Alabama School of Fine Arts. He graduated from Butler University where he received his Bachelor of Science degree in Dance-Arts Administration. He danced with Alabama Ballet for three seasons, where his roles included Jekyll in Roger Van Fleteren’s Dr. Jekyll & Mr. Hyde, Benvolio in Van Fleteren’s Romeo & Juliet, Cavalier and Hot Chocolate in Balanchine's The Nutcracker, Prince Charming in Cinderella, and Twyla Tharp’s Nine Sinatra Songs. Since joining the Louisville Ballet, Brandon has performed leading roles in Andre Prokovsky’s Three Musketeers, Val Caniparoli’s The Brown-Forman Nutcracker, Lamberena, The Seasons and Jorg Mannes’ contemporary Pas de Deux Marz. Other performances include works by Adam Hougland, Alun Jones and Helen Starr, as well as Balanchine’s Theme and Variations. Brandon also serves as a faculty member for the Louisville Ballet School.

Emily Reinking-O’Dell Originally from Fort Wayne, Indiana, Emily trained and danced at the Fort Wayne Ballet under the direction of Michael Tevlin, Judy Jacob and Robert Kelley. She earned her BSOF in Ballet and Arts Administration from Indiana University in 2000, studying with Leslie Peck, Jacques Cesbron and Violette Verdy. She joined the Louisville Ballet that same year. Emily has enjoyed originating roles with Adam Hougland in Cold Virtues, Devolve, Made to Be Broken, Fragile Stasis, Unyielding Radiance and the principal female in Rite of Spring. Her favorite classical roles include Fairy of Charm in The Sleeping Beauty, Pas de Trois in Raymonda, Red Girls in Les Patineurs, Winter Fairy in Cinderella, Fairy Godmother in Beauty and the Beast, Juanita in Don Quixote and Two Swans in Swan Lake. Some of her favorite contemporary roles have been in Company B, Nine Sinatra Songs, Vivacé, Going for Baroque, Variations Serieuses, In the Glow of the Night, Agon, Rubies, Theme and Varations and Etesian.

Douglas Ruiz A native of Puerto Rico, Douglas began his training with Roberto Rodriguez. In 2004, he graduated from Virginia School of the Arts and later joined Milwaukee Ballet II. While there, he performed roles in ballets such as Michael Pink’s Dracula and Kathryn Posin’s Scheherazade. In 2006, Douglas joined the Louisville Ballet. During his tenure, he has danced in a wide variety of ballets including Swan Lake, Don Quixote, Adam Hougland’s Fragile Stasis, Cold Virtues and Rite of Spring, Mark Godden’s Magic Flute, Helen Pickett’s upon your held out hand, André Prokovsky’s The Great Gatsby, Bruce Marks’ Lark Ascending, Val Caniparoli’s Vivacé and Robert Hill’s Troy Game. This is Douglas’s sixth season with the Louisville Ballet.

Kateryna Sellers Born and raised in Toronto, Canada, Kateryna is returning for her eight season with the Louisville Ballet. She began her training in Toronto where she studied with teachers such as Sean Boutilier, Glenn Gilmour, Kevin Pugh and Roberto Campanella. In 2005 Kateryna graduated cum laude from Butler University with a BFA. in dance performance. Since joining the Louisville Ballet Kateryna has had the opportunity to dance many exciting and challenging roles. She has been seen as Myrthe in Giselle, Bacchante in Val Caniparoli’s The Seasons, Big Swans in Swan Lake, Dawn in Coppelia, Autumn Fairy in Cinderella, Pas de Trois in The Sleeping Beauty and Raymonda, soloist in La Bayadere and Theme and Variations, and “One For My Baby” from Twyla Tharp’s Nine Sinatra Songs. She is thrilled to have performed the principal role in Adam Hougland’s ballets Unyeilding Radiance, Rite of Spring and Cold Virtues, as well as in Val Caniparoli’s Lambarena. Kateryna has also been featured in such ballets as Smiling Underneath by Amy Seiwert, Adam Hougland’s Fragile Stasis, Jorg Mannes’ Marz and Helen Pickett’s Etesian.

Ryan Stokes A native of Louisville, KY, Ryan began his training with the Louisville Ballet under the tutelage of Helen Starr, Patrick Hinson and Elena Diehl. He left the school in 2005 and began working for American National Ballet under the Direction of Armando Moldanado. After the closing of ANB in fall of 2006 he joined Minnesota Ballet under the direction Robert Gardner dancing roles in The Sleeping Beauty, Cinderella, Sylvia Pas de Deux, Antony Tudor's Little Improvisations and George Balanchine's Who Cares?. In 2010 he returned home to Louisville Ballet where he has performed in works such as Coppelia, George Balanchine Theme and Variations, Adam Hougland's Rite of Spring and Unyielding Radiance, and Val Caniparoli's Lambarena and The Seasons, among others. This is Ryan's third season with the Louisville Ballet.

Ashley Thursby Originally from Richmond, MO, Ashley trained with the Kansas City Ballet School, where she spent her senior year as a student apprentice. Ashley continued her studies at Indiana University, receiving a BS in ballet and journalism in 2008, and joining the Louisville Ballet that same year. While at IU, she was coached by Violette Verdy in numerous roles including The Sugar Plum Fairy in The Nutcracker and the Principal role in Walpurgisnacht. After a day of dancing she spends her free time teaching Pilates as well as being on faculty with the Louisville Ballet School. Her Louisville Ballet performance highlights include Swan Lake, Val Caniparoli’s Vivacé and The Seasons, and Adam Hougland’s Rite of Spring.

Phillip Velinov Born in Bulgaria’s capital, Phillip started his training at the State Choreographic School in Sofia and later transferred to the Alabama School of Fine Arts on a full scholarship. Upon graduation, he joined the Alabama Ballet and later won the first full performing arts scholarship in the 150-year history of Birmingham-Southern College completing a B.A. with honors in Dance. Phillip has had the honor to study and work with Maestro Roumen Rachev, Dame Sonia Arova, Thor Sutowsky, Professor Mira Popovich, Vladilen Simeonov and Irina Kolpakova. He was a soloist with Ballet Internationale (Indianapolis) prior to joining the Louisville Ballet as a principal dancer in 2006. Phillip received diplomas at the 1998 and 2002 Varna International Ballet Competions and won the 1998 Birmingham Fine Arts Society Award for Excellence in Dance. Repertoire highlights include a wide spectrum of roles: Albrecht in Giselle, the Golden Slave in Scheherazade; The Nutcracker, Sugar Plum Cavalier and Drosselmeyer in The Nutcracker; Nana the dog in Peter Pan, Basilio, Espada, Gamache and Lorenzo in Don Quixote, Carabosse in Sleeping Beauty, Doctor Coppelius in Coppélia; Puck in Midsummer Night’s Dream; as well as George Balanchine’s Agon, Lila York’s Celts, and “That’s Life” in Twyla Tharp’s Nine Sinatra Songs.

Kristopher Wojtera Born in Poland, Kristopher began his ballet studies at the National Ballet School in Gdansk, Poland. He danced with the Polish National Theatre in Warsaw, where he portrayed roles in variety of classical pieces such as Swan Lake, Giselle and The Sleeping Beauty as well as several contemporary works throughout Poland and Europe. Upon moving to the United States, he became a soloist with Columbia City Ballet (South Carolina) where he danced principal roles in Beauty & the Beast, The Nutcracker and Coppélia. In 2003, Kristopher joined the Louisville Ballet as a first soloist. He has performed as a guest artist with Ballet Theatre Midwest, the San Antonio Metropolitan Ballet, the Carolina Ballet, the Governor’s School for the Arts in Virginia, the Hilton Head Ballet among others. In 2007, he was invited to perform Swan Lake with the English National Ballet. Kristopher is honored to have participated in the National Choreographers Initiative in Irvine, California for four summers where he has performed in original works by Gina Petterson, Ron De Jesus, Melissa Barak, Edwaard Liang, Ma Cong, Edmund Stripe, Sidra Bell and Rick McCullough.

Trainees

Tiffany Bovard
 Hometown: Charles Town, WV.  Trained at Butler University and Vostrikov’s Academy of Ballet under the tutelage of Gennadi Vostrikov.

Chelsea Cambron
Hometown: Santa Barbara, CA. Trained at UC Santa Barbara and  Santa Barbara Festival Ballet.

Elisabeth Champion
Hometown: Lexington, KY. Trained at the Bolshoi Ballet Academy in Moscow, Russia.

Alexandra Hoffman
Hometown: Cleveland, OH. Trained at Great Lakes Youth Ballet Company.

Claire Horrocks
Hometown: Los Angeles, CA. Trained at Oklahoma School of Dance.

Jordan Martin
Hometown: Mount Laurel, New Jersey.  Trained at Indiana University Jacobs School of Music and BalletNJ

Sophia Myers
Hometown: Cincinnati, OH. Trained at the School for Creative and Performing Arts of Cincinnati.

Jordan Schwinabart
Hometown: Swanton, MD. Trained at The University of Cincinnati’s College-Conservatory of Music

Katarina Walker
Hometown: Greenville, SC.  Trained at Carolina Ballet Theater.

Jonathan Paul
Hometown: Rochester, NY. Trained at  Central Pennsylvania Youth Ballet,  Nevada Ballet Theater and The Suzanne Farrell Ballet

Sanjay Saverimuttu
 Hometown: Boca Raton, FL. Trained at Boca Ballet Theatre.