Stanton Welch AM’s “Velocity” – Choreographer’s Notes

A high-speed riff on traditional ballet technique for eight men and eight women, Velocity pays homage to classical conventions in a contemporary manner. “Velocity is true classical dance at its most agile and exciting,” commented Welch. “I’m playing with the speed and agility of classical ballet. This work tests the limits and talents of the … Continued

Andrea Schermoly’s “at High” – Choreographer’s Notes

at High is a piece born out of a title suggestion originally made by artistic director Robert Curran. I was immediately struck by a feeling of what it is to be away, ascended or departed from one’s current life looking back on a time, and a place where one is not able to return to. … Continued

George Balanchine’s “Serenade” – Choreographer’s Notes

The first performance of Serenade was on June 10, 1934, by students of the School of American Ballet, at Felix Warburg’s estate, White Plains, New York. Serenade is a milestone in the history of dance. It is the first original ballet Balanchine created in America and is one of the signature works of New York … Continued