Review: Connecting The Dots

By Keith Waits for ARTS-LOUISVILLE October 1st, 2017 When Robert Curran states in his opening remarks that this program will make you feel like you are “in” the dance and not just watching it, it is exactly the point of Studio Connections. This year Curran structures the show to illustrate both fundamental concepts behind ballet … Continued

Review: Lady in the Storm

By Kathi E.B. Lewis for ARTS-LOUISVILLE August 10, 2017 This week sees the closing of Kentucky Shakespeare’s 57th season of free, continuous, outdoor Shakespeare productions, making it the oldest company of its kind in the country. To mark the second and final Community Partner Week, they are teaming up with the Louisville Ballet, one of … Continued

Ballet, music make ‘Lady Lear’ a fresh take on Shakes

By Eli Keel for LEO WEEKLY August 9, 2017 Kentucky Shakespeare’s parade of excellent community partners culminates this week as it hosts The Louisville Ballet’s “Lady Lear,” an ambitious, new work inspired by “King Lear.” Last summer, Louisville Ballet teamed with KY Shakes to present choreographer Roger Creel’s “William’s Folly,” a new work based on … Continued

Review: ‘Lady Lear’ is an exciting addition to two canons: Kentucky Shakespeare and Louisville Ballet

By Eli Keel for INSIDER LOUISVILLE August 10, 2017 “Lady Lear,” the last show of Kentucky Shakespeare’s 57th season, opened Wednesday night in Louisville’s Central Park. An audience of more than 500 sat in the unreasonably lovely August evening to watch a bold and exciting production by the Louisville Ballet, created by two of Louisville’s rising stars, … Continued

Review: Exquisite in Every Aspect

by Valerie Canon for Arts Louisville “The closing production of Louisville Ballet’s 65th Anniversary seasons started with a curtain speech by the current director, Robert Curran and included statements by past directors Bruce Simpson and Alun Jones. It was a wonderful tribute to an amazing history. “The Prologue” shares the christening of the baby Aurora. … Continued

Review: Opulence prevails in ballet’s ‘Sleeping Beauty’

By Elizabeth Kramer for Courier-Journal April 8, 2017 The Louisville Ballet’s production of “The Sleeping Beauty” that opened Friday at the Kentucky Center’s Whitney Hall was awash in opulent beauty – from lavish sets by Alun Jones to costumes by Jones and Peter Farmer. Even the Louisville Orchestra, led by conductor Leif Bjaland, added the required … Continued

Review: ‘Sleeping Beauty’ Shows Louisville Ballet’s History, Progress

By Kathi E. B. Ellis for WFPL April 9, 2017 Friday’s opening performance of “The Sleeping Beauty” began with three generations of Louisville Ballet leadership taking their place in front of the grand drape — and it represents, in some ways, the group’s progress over the 65 years being celebrated this season. This version is … Continued

‘Sleeping Beauty’ a reunion of sorts for Louisville Ballet

by Elizabeth Kramer for Courier-Journal “On April 7, the raising of the curtain on “The Sleeping Beauty” will mark the Louisville Ballet’s sixth endeavor to present what choreographer Alun Jones calls a grand ballet upon which “all of the classical repertoire is based.” Jones, who introduced “The Sleeping Beauty” to the company 30 years ago, and his wife Helen … Continued

Louisville Ballet announces 2017-2018 Season!

  Louisville Ballet Announces the 2017-2018 Season of Enchantment Showcasing the artistry and versatility of Louisville Ballet, the 2017-2018 season delivers the finest of the classics and the most exciting of the contemporary. Be transported. Be inspired. Be enchanted! LOUISVILLE, KY, March 27, 2017 – Louisville Ballet is thrilled to announce its 2017-2018 Season of … Continued

Review: ‘Human Abstract’ Is Tangible Evidence Of Louisville Ballet’s Vision

by Kathi E.B. Ellis for 89.3 WFPL This ensemble works at a technical and aesthetic level that is the strongest and most compelling that I’ve seen at the Louisville Ballet and, as stated earlier, the company’s work in other contemporary works has been of a high caliber. Whatever aspects of this multi-national, artist-centered, personally-energizing collaboration … Continued